RED RANGER WITH HELIUM 8K S35 SENSOR TYPE HELIUM® 35.4 Megapixel CMOS EFFECTIVE PIXELS 8192 x 4320 SENSOR SIZE 29.90 mm x 15.77 mm (Diagonal: 33.80 mm) DYNAMIC RANGE 16.5+ stops MAX DATA RATES Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) MAX FRAME RATES 1 60 fps at 8K Full Format (8192 x 4320), 75 fps at 8K 2.4:1 (8192 x 3456) 60 fps at 7K Full Format (7168 x 3780), 75 fps at 7K 2.4:1 (7168 x 3024) 75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 5:1 REDCODE at 8K Full Format (8192 x 4320) and 24 fps 12:1 REDCODE at 8K Full Format (8192 x 4320) and 60 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 3:1 REDCODE at 4K Full Format (4096 x 2160) and 60 fps REDCODE RAW ACQUISITION FORMATS2 8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps AVID CODECS DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps CONSTRUCTION Aluminum Alloy WEIGHT 7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount) 7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock) DC IN POWER INPUT 11.5 V DC to 32 V DC OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F) STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F) RELATIVE HUMIDITY 0% to 85% non-condensing COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs Variable number of 3D LUT outputs User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Integrated dual channel 5-pin XLR with preamplifiers, uncompressed, 24-bit 48 kHz REMOTE CONTROL External R.C.P. WiFi antenna with SMA connector Ethernet, RS232, and GPI Trigger MONITOR OUTPUTS 3G-SDI (HD-SDI) and MON-1 1080p RGB or 4:2:2, 720p RGB or 4:2:2 SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio MONITOR OPTIONS DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable. REDCINE-X PRO DELIVERY FORMATS 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 VIDEO EDITING SOFTWARE COMPATIBILITY4 Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro Tech specs reflect both current and projected information. Everything is subject to change. 1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide. 2. For more information on available acquisition formats, see the DSMC Operation Guides. 3. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files. RED RANGER BRAIN w/ HELIUM 8K S35 sensor Shimmed PL Mount and PL Mount Shim Pack Production Top Handle LCD/EVF Adaptor D RED RANGER AC Power Adaptor 3-Pin XLR-to-RED RANGER Power Cable (10’) Compatible Hex and Torx tools 2 Year Standard Warranty
RED RANGER HELIUM
3,650,820.00 ৳
RED’s RANGER is an all-in-one camera system that features an integrated and less complex platform for filmmakers. The standardized camera body weighs around 7.5 pounds (depending on battery), supports wide input voltage (11.5V to 32V), and boasts more independent SDI and AUX power outputs as well as an integrated XLR audio input. It also has a larger fan for quieter and more efficient temperature management.
Features like integrated I/O’s, 24V power out, shimmed PL Mount and improved thermal performance give users peace of mind in any shooting environment. The camera will ship complete with necessary rigging and support for improved set-up time.
RED RANGER is available with three difference sensor options: MONSTRO 8K VV, HELIUM 8K S35, and GEMINI 5K S35. All three sensors deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film – up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows.
